A Hundred Documents
I am a big fan of Bill Bryson’s writings. I love how he writes, what he writes about, and his wit and often-uncanny insight into the workings of the world. My daughter gave me Bryson’s new book, Shakespeare: The World as Stage (New York: HarperCollins Books, 2007), and I was surprised how much of his brief biography concerned records and archives.
Bryson makes the theme of his book the matter of how little documentation there is about Shakespeare. Consider some of his assessments:
“After four hundred years of dedicated hunting, researchers have found about a hundred documents relating to William Shakespeare and his immediate family. . . “ (p. 7).
“Although he left nearly a million words of text, we have just fourteen words in his own hand. . . “ (p. 8).
Bryson provides various descriptions of surviving documents, accounts of interviews with archivists about the records, tales of discovering and losing documents, and the process of analyzing documents alleged to be by Shakespeare or to have connections with him.
Bryson asserts that the idea for his book is “to see how much of Shakespeare we can know, really know, from the record,” indicating that this is why his book is “so slender” (p. 21). So, archivists and those interested in archives will have a lot of fun reading this book, especially as he sets up the reader to have expectations about possible future discoveries of documents about Shakespeare.